#Zz top la grange lyrics professional
Professional wrestler Barry Windham used an instrumental cover of "La Grange" as his theme music in the NWA's Jim Crockett Promotions territory and its successor, World Championship Wrestling.
#Zz top la grange lyrics pro
Regarding a failed lawsuit by the copyright holder of John Lee Hooker’s “Boogie Chillen’,” which resulted in a court ruling that the rhythm was in the public domain, Gibbons says, “It seemed to be a somewhat egregious and curious accusation. “It felt good, so we decided to put it on the album,” he says. Modestly, the guitarist claims nobody in the band had the song pegged as a hit. “It was one of those enriching moments in the rather antiseptic surrounds of a recording studio.” With Respect To Mr. We had the whole thing buttoned up in an hour, and when the manager returned from the barbecue joint, he said, ‘I told you, fellas. “I had a great time overdubbing and experimenting with twin guitars. “We did three takes of the solo, and I just went off into the ozone,” Gibbons says. Both guitars went through a 100-watt 1968 Marshall Super Lead amp. The engineer was waving through the glass yelling, ‘Don’t stop! You’ve got it!’”įor the song’s intro, Gibbons relied on a 1955 hardtail Fender Stratocaster, and for the overdriven riff, he pulled out his now-famous 1959 Gibson “Pearly Gates” Les Paul standard. “Finally, something transpired, and whatever I was singing worked. “Finally, the engineer and studio manager said, ‘Let’s take a lunch break.’ With the studio manager dispatched to a barbecue joint some 30 miles away, Gibbons sat down in a folding chair, pulled up a microphone and said, “Run the track.” “We tried every which way we knew, but nothing felt right,” Gibbons remembers.
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“It started to get longer and longer,” he says, “and we kept asking ourselves, ‘Is this a song? Let’s see where this goes.’” Once they laid out the musical framework – spoken-word intro and riff, verse, then off to the races – the band debated how to work out vocal passages. While recording Tres Hombres in Memphis, Gibbons and his bandmates – bassist/co-vocalist Dusty Hill and drummer Frank Beard – would warm up with a blues vamp. “Plus, Holly left things open to interpretation: ‘I heard it’s a rumor from a friend.’ Did she get married or not? So with ‘La Grange,’ we tagged the closing with lines like, ‘I hear it’s fine… but I might be mistaken.’ The invitation stood at that moment.” Thank Goodness For Barbecue
“That song showed us you didn’t have to rhyme every single stanza or verse,” Gibbons says.
The guitarist points to Buddy Holly’s “Peggy Sue Got Married,” the rock pioneer’s sequel to “Peggy Sue,” as compositional inspiration. We somehow captured both in one single trip.” As Gibbons recalls, “Growing up in Texas, there were two requirements toward manhood: You had to visit La Grange, and you had to go to the Mexican border.